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Comments
A Japanese version of a German song about a Russian city.
That this exists is great in itself.
Also:
This song gets me.
It actually turns out that most popular music doesn't actually have female lead artists (especially now since Swedish DJs rule the airwaves and there are somehow no female ones?)
If you ever happen to come across a piano piece (most likely an obscure one, for you to have found such a recording) on YouTube played by someone named "Claudio Colombo", you may wonder why the piece sounds very, very mechanically played, with basically nothing in the way of emotional nuance.
Well, I certainly did, and I wasn't the only one.
This person claims that he plays them and then digitally edits the result to be satisfactory. Well, I'm betting that it's just him putting them into a MIDI file. Like, every instance of a given ornament is performed exactly the same; every repeated section sounds exactly the same, and even in stuff like the brilliantly showy sonatas of Scarlatti, the recorded performance is entirely mechanical and perfectly in time, making no attempt at modifying tempo or dynamics for expressiveness.
And other people noted how he basically "played" an insanely large amount of repertoire, including some of the most difficult pieces ever written, without making any mistakes at all.
Well, if you just play a little bit then digitally edit everything together, it's not like it's all that different anyway. Heck, turning recordings of a real person into a soundbank? That's exactly how Miku Hatsune works.
TL;DR: If you see music played by "Claudio Colombo" you can assume that it's basically just a MIDI rendition using a high-quality piano soundfont. (It doesn't really matter how he makes it; what results is what it is.)
And don't bother buying recordings of it, unless you enjoy this sort of interpretation.
...and then put on Resonant Heart by Uchida Maaya because oh goodness HATSUKOI is cloying. It's all really great songs that I don't actually like too much.
Also recently I've been listening to Endless Sky from Aikatsu Stars! and I've taken a real liking to Hadashi no Renaissance.
@GMH: I don't know how you feel about volleyball anime but like, yeah.
The KOTOKO version of a-gain (the Ray song) is brilliaaaaaaaaaaaaaaant. The backing vocals really sell the whole thing.
edit: is the entire album a series of covers?
*googles*
*E7 ED1*
oh
no wonder i recognized it
childhoodtweenhood, GMH.http://thelistenersclub.com/2015/09/23/gabriela-monteros-new-recording-rachmaninov-and-ex-patria/
paging @Stormtroper; might be of interest to you.
...which I can't find online so I'll have to find that CD and rip it since now I want to really want to listen to it suddenly.
I did find Live Your Dream though.
*The three most prominent bands I can still remember are S Club 7, beFour and Steps. Apparently Steps still exist even.
I wonder why malls like ZEDD music so much. Him and Zara Larsson. You literally can't escape it.
making another note here for myself: her song "Regret" is something I've also heard by Ritsuko Okazaki
Apparently I missed that query, I happened to read this just now after randomly scrolling up, though I was already aware of her and her work (as one can imagine, she's well known when it comes to Venezuelan politics),
@ZEDD: it's one of the many things I know only because of Touhou:
I mean, I still suspect the song was specifically written to work with Nana's voice and thus nobody else can get it right but Roselia's vocalist doesn't sound quite so wrong despite that.
By now you guys probably know I listen to black metal, but most of the time less literal. According to the description it's a heavy metal band from Mozambique, singing in a local language. (It doesn't really tick my "it's African" box, but then I know pretty much nothing on sub-Saharan languages. Can anyone confirm?) These guys do some nice rockin', and it's not often when you see corpse paint on a black guy.
I feel like Minase can do a good interpretation of Nana songs but like, that's not the direction her career went obviously.
Yeah there's some stuff I recognize (not sure how many languages ended up borrowing the word but I'm pretty sure "Mfana" always means boy/young adult male). Yeah I mean I have no idea what language this is but it certainly sounds like everything else enough.
I did not expect the plot of a metal music video to be the standard "guy and girl and romance" stuff.
Anyway I noticed I didn't recognize anything in the video except for only my railgun, not sure how i should feel about this
Solo singers/smallish groups always keep better time than groups, which is why idol songs will generally have a slower vocal arrangement than groups.
Compare the average vocal speed of a ClariS song to an AKB48 song. Aside from AKB48 songs being written with 100+ girls in mind (not just the recording version, but the many lineups the group will go through as they sing it live) they do consider how the original group will be able to keep up with each other.
With ClariS, the girls know each other so well that basically they can well and truly match each other. That gets harder as you add more people to a group because you have to understand the unique points and idiosyncrasies of every voice but also the nuances and habits that singer has.
Anyways, I like that Koda Kumi's 1000 no Kotoba sounds so 90s ballad-ey but there are some things that mark it as being a bit too post-modern for that.