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Comments
That's a cool story. Adaptation to harsh conditions giving an overall edge.
Until they meet their nemesis, of course. Children of a mining town, they played basket in narrow corridors cut in hard coal, where lack of space for passing the ball forced them to treat the game as a series of dribble duels.
An open letter to the tanned
badly combed
Anti-charismatic
National embarrassment
Known as Candidate Donald Trump
The man’s irrational. He claims that we in league
With China in some vast international intrigue?
Bitch, please!
You wouldn’t know what we work for
You're nothing but a bore
You never show up to work
Give my regards to Ivanka
Next time you rant about your rivals
At least we do our job for our survival
That line is behind me
I crossed it again
While the candidate lost it again
Aw, such a rough loan
Just one million?
Better tell your wife
That you can’t deal with strife
They were calling you a dick back in ‘06
And you haven’t done anything new since
What you’re doing has no defense
So drop the pretense and stop the offense
grow some common sense
and cut this whole expense
And all your little minions
Maybe they can confirm
I don’t care if you’ll deport my ass cuz of this submission
I’m ending your campaign
Sit down, Don, you tanned motherfucker!
what the hell? .mortgage is a top level domain now?
More details please.
Meat and bones of the abstract I send in to the conference on TV culture: "Tamaki Saito analyzes this doujin creation as a ""ritual of possession" practiced within the otaku community(1)." In this paper, I argue that this ritual of possession is connected to Jane Bennett's theories on the hoarder. Her writing on the vitality of matter will be used to show the otaku not as Hiroki Azuma's database animal, but as someone who understands the agency of the material and its social dimensions, using the anime television series Chaos; Head, its merchandise and samples of its derivative fan works as a case study. The self-reflexive nature of the show with regards to otaku culture makes it ideal for this analysis, and my preliminary conclusion is that it is an example of how the agency of the object can serve as a catalyst of interaction instead of a conduit of isolation."
...so is your point that fans aren't just passively receiving information but actively participating in creating a media experience, and derivative fan works are an example of this?
Meanwhile, at my school:
Emergency alerts are sent out in three ways: e-mail, text message, and computer-recited voice message.
The message:
The way it was recited:
My emphasis
"Nine hundred eleven" or "nine hundred and eleven" is the way the quantity is read.
The emergency number is read as "nine one one".
(For comprehensiveness's sake, the date of the famous terrorist attack in New York City is read "nine eleven" or "September Eleven(th)" in American English.)
I inserted a comma only because that's what the silly reading made it sound like.
You guys probably tired out the current topics and achieved FORUM NIRVANA
Y'all need some chaos in this bitch. Hoes and dimes, maybe some Blazebullet references and people crying about the state of TVT? Actually no, TVT's actually pretty good now.